At the end of the 1980s, the German art historian and expert on architectural theory Norbert Huse adopted the term “Unbequeme Denkmalpflege”, best translated as “uncomfortable cultural heritage protection”. This phenomenon was a reaction to the highly lax approach of heritage institutions towards specific architectural works of the 20th century, of which a wide range […]
The Position of the Late Modern Movement in the German Cultural Heritage Act. A Comparison with the Questions in Slovakia
Issue:
2013, Volume 47, No. 3 - 4