This article explores the lesser-known furniture designs of Alfred Neumann, a visionary modernist architect whose innovative thinking shaped postwar architecture in Israel and beyond. Focusing on a modular chair designed by Neumann for the Slezák villa in Brno in the 1930s, the study investigates its structural and proportional relationship to his later architectural works. Through qualitative research, including on-site documentation and interviews, the article situates the chair within Neumann’s broader spatial theories, particularly his EM-PHI proportional system developed in his publication The Humanization of Space (1956). It argues that Neumann’s architectural language, based on modularity, prefabrication, and human-centered dimensions, was already present in his early furniture; hence the chair exemplifies his consistent design philosophy and forms a link to his iconic buildings such as the Mitzpe Ramon synagogue. By examining this overlooked area of his oeuvre, the article contributes new insights into Neumann’s holistic approach to architecture and design, enriching the historiography of modern architecture.
DOI: https://doi.org/10.31577/archandurb.2025.59.1-2.10
This work is licensed under a Creative Commons Attribution 4.0 International License
